Sounding Out: Exploring the Nuances of Self and Nationhood through Art

From 16 September to 8 October, Not gallery invites you to embark on a captivating journey of self-discovery and societal reflection through their exhibition, “Sounding Out.”

This exhibition delves deep into the age-old tension that exists between the individual and society, offering a thought-provoking exploration through a diverse array of artistic mediums. From the intricate art of batik to the meticulous craftsmanship of printmaking (including techniques like drypoint and silkscreen), from digital archival prints to the rich strokes of oil paint, the artists featured in “Sounding Out” share a common thread—a heightened sense of subjective inquiry.

One remarkable piece that encapsulates this theme is Boo Sze Yang’s “The Father X” (2013). In this thought-provoking artwork, Boo juxtaposes the iconic image of one of Singapore’s founding fathers, Lee Kuan Yew, against a foreboding, dark purple backdrop. This juxtaposition challenges the familiar certainty associated with this prominent figure and prompts viewers to contemplate the implications of equating an individual with an entire nation.

Yet, contemplation need not always be unsettling; it can also emerge from more tranquil presentations. Joel Seow’s “Our secret desire is for a change in the order of things I and II” offers a comforting perspective. The former portrays a warm-toned MRT carriage against a dark pictorial space, while the latter delves further into feelings of comfort and nostalgia. Here, images of home come alive as glass panels on the carriage doors and train station gates give way to fluttering, translucent curtains. In these everyday scenes, viewers find solace and refuge.

Encounter artists who curiously focus on the individual and the self. Phua Juan Yong’s “Untitled” (2022), Quan Zhao Lim’s “Untitled” (2023), and Lim Mu Hue’s “Self Portrait [undated]” all offer unique glimpses into the inner worlds of the artists themselves. These works invite viewers to explore the depths of personal identity and expression.

However, “Sounding Out” extends beyond the boundaries of self and Singapore. Chng Seok Tin’s “Sound of Vermont No. 39” (2003) takes us on a journey that transcends geographical borders. Through her work, Chng voices her opinions regarding the Iraq War, demonstrating how art can serve as a medium for addressing global issues and sparking vital conversations.

As you step into Not gallery during this captivating exhibition, prepare to be immersed in a world of artistic introspection and societal contemplation.